Monthly Archives: October 2021

A Glimpse Of The Past – Week 43 : 2021

Languishing in the loft of several houses for over 70 years were a selection of cine films my grandfather and father shot. The films’ survival was probably down to being allowed to grow dusty in the recesses of these dark spaces rather than being repeatedly moved and their worth of retention debated. In fact I probably have the projector that can show these films but the wiring is also at least 70 years old and may make it a safety hazard.

Of the 52 cine films we found then 36 date back to the late 1940s and early 1950s. I was amazed by the quality and the fact my grandfather was an early adopter of technology. Some of the quality as well as composition are better than my father’s Super 8 cine films and I cringe to think of the several days of camcorder footage I took mainly of the daughters in the late 1990s and early Naughties. (Never let a man get on a steam train with a camcorder and an hour to kill is sound advice.)

My grandfather shot 16mm wide cine film and to get this converted to a digital format meant some hunting around to find a company to convert it. I found a one man band (plus part time assistant) operation in a three story one room per floor building in the market town of Otley. I never met the owner but rumour has it that he now frequently jets to Hawaii on what he charged for the work.

The whole exercise was in someways a leap into the dark as to what we’d find or if the films were even intact. What I got was moving footage of my parents as millennials, a lot of relatives I never knew or could recognise, wonderful old pre and post war cars all painted black, street scenes of places that seemed so empty and sedate by today’s standards and a level of dress that was so formal and smart (!) compared to how we all slob about today.

Ann Marie, my sister, by the company van

However, more illuminating and emotional was an insight into the lives lived. The looks people gave each other, the fun shared, the mutual affection or hierarchy. Who always took the lead when walking or came across as bossy, even without audio? The way they handled a toddler with affection and delight, the deference to the old and the emergence of the best china even for a cup of tea. I learned of my grand parents surprising devotion to Catholicism with the local priest going from Leeds to Bournemouth on holiday with them (and countless other photos). Any fervour for religion was never passed down the family and we have no connection today. The Christmas lunch setting that now seemed so sparing compared to how our tables groan with food and decorations nowadays. The number of folk who smoked: a classic way to relax and often a shared pleasure between members of the family. Lastly my thoughts migrating from how they all appeared here to how they eventually became when I knew them and, in the case of my grandparents, I only knew them as old people with much of that mobility and energy gone.

Two sets of paternal great grand parents with my mother on the top step and my paternal grandmother sat down

One of the major projects now is to identify all the people in the cine films. There’s no audio and neither is there a lot of identification of people and places on the boxes or tins. Some, I or my sister Ann Marie, know. Some seem obvious when say, you have a mother with a child ie. the child belongs to her and it’s male etc. A lot has been found by Anna, the Queen of ancestry.com, who has followed lineages to build a magnificent ‘tree’ of both sides of my family. In the cines you can eliminate people by the date of the cine film and what age people were or, sadly dead, by then. 

In addition to the cine footage was the small matter of 1,500 still photographs. All black and white and many featuring the people in the cine films. These are the images in this blog. Most are family scenes but there are many holiday snaps including the beach hut on the front at Bournemouth. I actually cycled within feet of this on my saunter along the front with Martin and Tony in early September on our bicycles. How lovely it would have been to stop at the hut and talk with the current occupants about it’s history of 70 years ago.

Grandmother with her watchful grand daughter at Hut 729.

Some of the shots are of dramatic ships and aeroplanes.

The Queen Mary (and a seaplane, note the one circling above)

We have an ambition is to try and contact some of the relatives of these people to share these films. I expect many are scattered across the globe and have tenuous connections to my family. However, this is a history that is unrepeatable and a wonderful insight.

Record Of The Week # 122

Emily Scott Robinson – American Siren

Robinson’s back story is one of a talented multi instrumentalist and singer who’s moved from North Carolina to Colorado. Here she was employed in social services whilst playing and further studying song writing. Eventually her breaks came and this is her second album, and her first, on a major label, it’s a joy. It’d be enough to talk about her voice: pure, crystal clear and mellifluous. However there’s considerable craft in her song writing and lyrics. She writes stories about classic country music themes such as cheating, missteps, unfilled ambitions and the military and it’s saddest days. She’s sympathetic and never judging but profound and engaging.

Jason Richmond produces (The Avett Brothers and The Steep Canyon Rangers), he ensures the mainly stripped back country arrangements are empathetic throughout. The backing to this divine voice varies between acoustic, electric and atmospheric. Richmond complements the songs with percussion, organ, bass lines, dabbles of electric guitar or sweeping runs of fiddle. “Let ‘Em Burn” is just Robinson on piano singing a delicate ballad. She says it’s “for anyone who thinks they’ve built a cage  they’ve learned to hate and wondering if they have the courage to ask for what they really want.” A sad but captivating listen.

“Every Day In Faith” is haunting and heartfelt, a hymn to seeing it through. Writing “Things You Learn The Hard Way” was novel. Robinson says she found the song title and chorus and then had to find the verses. In this case it was a list of things you learn the hard way (obvs). A bit stumped she asked her followers on Facebook and the illustrations tumbled in. From this assortment she selected the ones she liked most along with her own mistakes such as not avoiding talking politics with her grandfather! 

Continue reading Record Of The Week # 122

Record Of The Week # 121

Brandi Carlile – In These Silent Days

This may be the most productive and commercially successful period in Brandi Carlile’s career. Her ascension to be the ‘Queen of Americana’ has not been an easy or quick climb, this is her seventh album. If pulling together the songs, the band and the producers isn’t a considerable task, in the meantime she’s been collaborating or producing other, much commended, country music masterworks with the Highwomen and Tania Tucker. Much of what she touches turns to gold and her 2019 By The Way, I Forgive You was worth all the Grammys and still remains one of my personal favourites.

Her voice is an incredible instrument with its range. She’s comfortable fronting an Elton John pastiche rock anthem (Sinners Saints And Fools) or cooing the whimsical lullaby of Stay Gentle. She’s expressive with exceptional poise, phrasing and occasional volume while admitting to relationship failures or continually self appraising her life and behaviour. Lyrically much of it is confessional and intimate and this is where comparisons to her idol and friend, Joni Mitchell, are worth dwelling on. The opener and album highlight, Right This Time, speaks of a contretemps with someone close and the song builds slowly to a dramatic finale. Mama Werewolf again dismantles her own, on occasion, bad tempered behaviour with her young children. She’d have you believe she’s not easy to live with but her insecurities and frankness are disarming along with her passion and selfless sharing. The boldness and directness of Mitchell’s lyrics are a brave template to follow. However, there’s little here that replicates Mitchell’s sound apart from the acoustic guitar and rhythm from Big Yellow Taxi on You And Me On The Rock. It’s an attractive appropriation or tribute. 

Carlile has worked with the Hanseroth brothers, who are part of her band and understand her well, not least by being very close neighbours in Seattle; this is an exceptional partnership. They collaborate on song composition and provide accompaniment on guitars, bass and harmonies. Like her previous album Dave Cobb and Shooter Jennings produce and play. This results in sympathetic arrangements that give her space and ensure each track has a different sound depending on the needs of the song. I’d have liked more strings (only two tracks), I thought this added to the drama and emotion of the last album. They created an epic sweep to songs such as The Joke elevating them from good to instant classics.

Continue reading Record Of The Week # 121

Sex & Drugs & Rock & Roll – Week 40 2021

I’m a couple of weeks past Covid-19 and pleased to have emerged feeling fine albeit with a bit of a cough. With the double vaccination I never felt that I wouldn’t be well afterwards. If I learned anything then this virus is very easy to catch and quite indiscriminate. I was amongst family who had the same exposure to the infected strangers I was with yet they were unaffected. No one knows why this is the case. I assume I’ll get called for the third jab soon along with the flu jab. I’ll happily be in the queue.

At long last Anna and I attended our first concert since the pandemic started. It was in Salford at The Lowry where we saw The Ukulele Orchestra of Great Britain (check out this clip, beyond epic). Seven very talented ukulele players played a selection of modern covers by AC/DC, ZZ Top, Wheatus, The Cranberries, Willie Nelson, Pharrell Williams, Lady GaGa, Kraftwerk, Jackie Wilson, George Formby, Ian Dury & The Blockheads and, my favourite, Hawkwind. The renditions are brilliantly played but there’s lots of humour interspersed.  For example  the Blockheads lyric migrated from ‘Sex and Drugs and Rock n’ Roll’ to ‘Cakes and buns and sausage rolls’.

We stayed over near the venue and the next morning went to put some luggage in the car before going into Manchester for the day. At the car park pay machine we identified two members of the band who I gushed over. One of the chaps was inserting his parking ticket into the machine followed by his debit card. I always find this needs the closest attention and concentration so I can well imagine, in retrospect, what he thought about some garrulous bloke gibbering on about the set they played and where were they playing next etc. Rock stars eh? It’s a hard life.

As we were in the locality where the eldest daughter and husband live I continued a job that reminds me of painting the Forth Road Bridge. The property is surrounded by a very high brick wall and as it was first built in the 19th Century the mortar between the bricks is of variable condition, but mainly bad, around the house and yard. Applying replacement mortar to a vertical surface is not easy but it kept me out of harm’s way for a few hours and will for many more to come.

So I was barrelling into Barwick-in-Elmet on my bike when I saw a phone fall from a passing car. I was on a 40 mile circuit from home and had found a delicious tailwind. I reckon the driver had set off from home with the phone on the roof and when traversing a speed bump it fell to the ground. With the car long gone I stopped and picked it up hoping to stop a car driving over it and to find details about the owner. I found his name as well as his Driving Licence, credit and debit cards, Leeds United season ticket and other membership cards. I was surprised that someone carries so many important items in one wallet.

Anyway I found someone with the man’s surname in his phone directory and rang them. It was his brother. I obtained his home address, which was about half a mile from where the phone was found. When I got there I checked again with his brother that this was his house. He wanted my personal details to allow his brother to thank me but whilst not being evasive I gave him only my name and the fact I lived in York. I was happy just to complete the task without any thanks. I posted the phone through his letter box and got on with the remaining 25 miles to home. 

I bring you news about Christmas. The last 20 years have seen the festivities at our house. This year it has been out sourced and the Favourite Eldest Daughter and Matt are hosting the feast and present swapping in North West England. (Note, she would give me a reprimand over a GDPR compliance breach if the disclosure identified the town she lives in.) To take over this responsibility brings several critical considerations that mustn’t be overlooked. This includes the starter (The Favourite Youngest is insisting on Yorkshire puddings with cauliflower cheese: I like the way she’s thinking), what type of Christmas crackers? (Oh no not the usual detritus of key fobs, miniature packs of cards and bottle openers?), the appropriate vegetables (carrots, sprouts, parsnips and maybe peas…obvs) and lastly the ‘lubrication’ for the Christmas Pudding (call me revolutionary but I’m a thick double cream type of boy.) This serious project has merited a PowerPoint and (without fouling GDPR) here are a few slides…

Lastly on ‘Morrisons Watch” apart from their disposal for £6.3 billion I note the students are back in earnest. As I was cruising the aisles in central York a badly dressed oik approached a member of staff and enquired as to where the hot dogs were? After grabbing a large glass full of them he headed for the checkout. I used to eat this stuff when I was 19, maybe some things don’t change?