Monthly Archives: May 2023

Chuck, Passes & Ties – Week 22 : 2023

The Coronation came and went with seemingly the only news legacy, a week later, whether the Metropolitan Police over stepped the mark by hauling off the Republican malcontents before they could kick off and be a pain on early morning American TV coverage. The Westminster Abbey ceremony was simply archaic, irrelevant to the 21st century, albeit fascinating and beautifully presented. This ceremony was about assuming the enormous responsibility for his subjects but our monarchy was emasculated in the 17th century in terms of power and whilst nominally the head of the legislature it’s just a ceremonial matter nowadays.

Don’t get me wrong I felt the Queen was a vital and impressive national unifying figure who I’d known all my life. Her departure was bound to throw up questions of relevance. I think Charles was ahead of the game by reducing the ranks of Royals to a senior core. Also I like the marketing of the family in a leadership role of promoting community, unity and service. On the latter that is beyond question and the King and Princess Royal have done immense good over their tenure.

It’s to be expected that the Commonwealth will change from containing countries that are ‘subjects’ to a loose band of nations with bonds forged out of colonial occupation, bloodshed, white emigration, immigration to the UK, dependency and economics. Somehow hauling out ever again gilded horse drawn carriages and wearing crowns will look plainly weird. Like most then I wouldn’t raise a finger to displace the monarchy and their retinue but I am not overly engaged with it.

Negotiating a Knighthood in the last century

Since Australia and New Zealand life has been inevitably busy before more holidays and tour guide jobs. The garden due to a combination of rain and heat exploded and brought into play my only gardening skill: cutting things down and putting them into the recycling bin or behind a hedge (where no one can see it all).  My other outdoor skill of painting fences came into play and myself and Cuprinol’s Rustic Brown became reacquainted for several hours.

Outings included some guide training in the Cotswolds. The Cotswolds Tony, really? Yes I know, heaven knows how I got lured down there to have to drive a small bus and bike trailer through busy Bath. In the party will be twenty Americans which should provide some comedy gold for the blog although they may know the area better than me. The Mighty Jessney through his celebrity as the voice of the blues on Vixen 101 got tickets five rows from the front at the Arena in Leeds to see Joe Bonamassa. Upholding his rock n’ roll lifestyle when asked to present ID whilst collecting his ‘guest list’ tickets he flashed his bus pass! The concert was magic nevertheless.

Joe Bonamassa, blues rock maestro clutching his Epiphone

Another wonderful day was spent at Lords for some cricket with two very old college (Ealing Technical College ’73 and ’74) friends. John is a member of the MCC and this enabled us to wander around the ground; to the areas that the great unwashed seldom get access to. I had be washed for the day and was instructed to wear a jacket and tie. Such sartorial elegance is usually reserved for wedding and funerals. I can now add first class cricket. We picnicked and whilst John unpopped the fizz to go with his smoked salmon sandwiches Kevin revealed enough cheese for all four days of the game. I’d brought pork pies. In our reminiscing about old times and our shared digs the disappointment was palpable that no one could remember the landlady’s cat’s name. (Mind you what do you expect at our age.) Mrs B force fed this moggy choice cuts of meat and the suspicion is that as the animal’s joints started to seize it was due to his indulgent diet.

Lastly there are a number of things that make me spit. This includes the Favourite Eldest and my first wife. They insisted I produce a wad to send off to Ancestry.com as part of a DNA test. Anna has done a deep dive into her and my family’s lineage and it’s fascinating. Anyway added to all this is that there are a lot of nations and ethnicities I need to refrain from being rude about in future.

Record Of The Week # 143

Lukas Nelson & The Power Of The Real – Sticks and Stones

Lukas Nelson may have been a recording artist for over a decade but it’s only recently that he’s become a commercial success after some excellent albums. His stature is also helped by his involvement in the box office smash film A Star Is Born, whether song writing or co-producing the music soundtrack. Recent releases have been lighter shades of rock with great musicianship; he can really cook up a storm on six strings. I can’t recollect him recording traditional country music up until now despite his gold-plated family heritage.

These 12 self penned tracks eschew the chart Nashville country sound and place the album in the 60s or 70s with instrumentation and lyrics.  The arrangements are crisp and short. Nelson now has the stature to make a call and Lainey Wilson joins him on More Than Friends. Given how Wilson’s own career is currently soaring she’s quite a catch. The song has the pair of them playing lovers over a chugging rock arrangement; their voices blend well.

The whole album engages from the Southern rock start of Sticks and Stones to the Hank William’s pastiche Icarus. The songveers in parts a little close to Hey, Good Lookin’, but I can forgive any song that manages to incorporate Greek mythology into a lyric. The latest single, Alcohallelujah, has a rousing chorus (and I note father Willie has been dragged out to knock back a shot for the Instagram promotion.) It’s a summer song with a feel good vibe and catchy chorus. Wrong House is beautifully left field as the protagonist, off his face, ends up repeatedly in the wrong house and needs to ring to get a lift back to where he belongs. The rhythm is rapid with a call and response chorus and some aching guitar signatures. Top drawer.

Not all of it races along and Lying is a slower regretful love song. Nelson’s voice is fabulous as he accompanies himself on acoustic guitar. All Four Winds has a Glen Campbell sound with a trailing harmonica providing a long lens cinematic sound before he starts picking some exquisite acoustic guitar. The View is another plain arrangement with Nelson and an acoustic guitar. The lyric refers to the gaze he places on his love.

It’s unimaginable that this won’t rightly receive a lot of critical acclaim. It’s a wonderful release and heartening for the genre that a major artist releases something as authentic and crafted as this.