Monthly Archives: July 2022

Eric, Neil & France – Week 28 : 2022

I have to start by posting that my father-in-law, Eric, has passed away after a short illness at the grand old age of 90 years old. I wrote a blog about him in January that probably captured his later days. However, this doesn’t do justice to a fine, mild mannered, sportsman, architect and a happily married family man. He lived a couple years longer than his wife, Margaret, who he married in 1956. He has three successful daughters and seven grand children who all thought the world of him. As regards his immediate family and the many females in his life he played the role of ‘Best Supporting Actor’; a role I have often played and one that I have learned, from Eric, the moves and lines. He would often appear with Anna’s mother at our house and soon disappear into the garden with a pair of shears. I now get the pleasure that brings: helping the daughters, literally, invisibly with either a trowel or painting brush in my hand hoping that as I’m somewhere around their property a cup of tea and a Tunnock’s will arrive as my reward.

If the truth were told then I’m still trying to recover the lost sleep from my tour guiding. I’m not working again until September but have taken the opportunity to get into the Dales to walk some of the routes and see the sights of my next assignment. Bolton Abbey, Hawes and Fountains Abbey in the sunshine are a delight and busy, it should be a good tour. 

Before my last tour I had a large task to complete that was most of the time a delight but became a big job with a demanding deadline! It was cataloguing a large LP record collection. Tragically a long time family friend of Anna’s and latterly mine, Neil passed away in 2019 from cancer at the young age of 59. One of his passions was music, playing or collecting it. He’d amassed a giant record collection of 1,043 LP’s and 322 Twelve Inch singles. (This doesn’t include all his CD’s and Seven Inch singles.) Neil with some sad foresight wanted his friends to have his record collection should he be gone.

His widow, Becca, wanted to enable his close friends to view the collection and take their pick. The collection wasn’t remotely sorted and needed putting physically into alphabetical order and collating onto a spreadsheet by artist name, album title, catalogue number, genre and value. From here the friends could easily pick what they wanted. Valuing is achieved by going onto Discogs, a website to buy, sell and value records. There isn’t a record that you cannot find wherever it was pressed in the world or the year. The value is dependent on condition, popularity of the artist and scarcity. Whether you can realise the value easily, if you sell, is a debate as it may take time. Needless to say vinyl LP’s are generally much sought after nowadays.

It was a pleasure to listen to the records as I catalogued them (and the Ives family likes a list). The weekend came and went when the friends visited and collected their records. Job well done I think as I got a framed print, a few LPs, several years of copies of old music papers and some chocolates. More importantly I got to think about Neil and his music tastes, surprising inclusions, omissions, preponderance of purchases in certain years, his loyalty to some obscure bands and his travel to buy them whether in North America, Europe or the UK. A privilege really.

There may be some more blogs ahead as I head to France after Eric’s funeral. It seems a long time since I slept under canvas and I have a flight and a ferry booked. There’s about 700 miles to cover in 10 days, cycling and camping, before I’m back for the Favourite Youngest’s wedding. I think I should be guaranteed some sunshine given news of French wildfires and record temperatures!

Lastly, an observation from the road. I was nearly bowled over on my bike by a woman cycling out of a side street in York. She was struggling to tame her heavy electric bike and found it difficult to stop at the junction. I cycled on but met her again at the traffic lights 200 metres up the road. She’d caught me, moving quickly, up the hill with her assisted power. After the lights she sped off only to eventually turn off the main road into the busy station car park. The traffic included taxis, buses, cars, pedestrians and cyclists. She didn’t indicate and simply dived left. She wasn’t wearing a helmet. People who haven’t ridden a bike since they were children are buying a lot of new electric bikes I think. My cycling sensitivity to traffic and other road users is heightened after years of experience. I expect the electric bicycle revolution will lead to a number of deaths.

Record Of The Week # 133

Something Borrowed, Something New: A Tribute to John Anderson – Various Artists

Anderson’s a Nashville songwriter/performer who’s well respected. He’s had his chart success over the decades but nowadays he’s only known to the cognoscenti. This compilation doesn’t come a moment too soon. The producers have done a remarkable job and the reason why is summed up by, co-producer, Dan Auerbach (The Black Keys) “We weren’t trying to piddle around and make the normal tribute record. It had to be the best singers with the best songs and the best arrangements, and they had to come into the studio. This wasn’t like, ‘Mail me the song, and we’ll put it together.’ I think it makes this record unique. I don’t think most tribute records are done like this. I think that’s why it sounds like a cohesive album. It feels like an amazing mix tape.” The song selection is excellent switching between singer songwriter, country and southern rock. The lyrics show Anderson’s gift to pen a pop chart country cliché or a weighty story dripping with pathos.

The stellar contributors include the Brothers Osborne, Tyler Childers, Eric Church, Luke Combs, Jamey Johnson and Ashley McBryde. No cost has been spared on the musicianship or arrangements whether it’s the strings behind the acoustic “I Just Came Home to Count the Memories” by Gillian Welch and David Rawlings or the southern rock funk à la Little Feat with mesmerising slide and honky tonk keys behind Nathanial Rateliff on “Low Dog Blues”. The main difference between the originals are the production qualities and the stronger voices of the covering artists.

The album starts with “1959″ sung by John Prine. (It’s wonderful to have a new track by this dearly departed legend). The lyric could have been written by him. He reflects on his young love, going to fight in Vietnam and the desertion of his lover. She’s previously written ‘I love you always’ yet  marries another while he’s away on active service. Years later he still thinks of her. Poignant and arresting. Luke Combs takes on “Seminole Wind”, a lament about the changes experienced by the Native American tribe as the marshy waters of Florida were drained. A solo piano introduction leads to a Southern rock arrangement and elevate this to a true rocking delight.

Ashley McBryde covers one of Anderson’s biggest commercial successes, “Straight Tequila Nigh”t. A tipple that gets the woman, at the bar, through the recurring heartache of a lover long gone. Brothers Osborne take on a classic country lyric of “You Can’t Judge A Book (By The Cover)”. The title says it all as they implore their quarry to give them a second look. An artist new to me, Sierra Ferrell, takes on Anderson’s 2020 composition, “Years”, a co-write with Auerbach, and this arrangement drops the original electric guitar and strings and becomes a country folk  stomp where the clear and pure mellifluous voice and fiddle create an earworm. Another album highlight.

This year has seen a few excellent cover/tribute albums of lesser known artists. Included in this are Neal Casal and Jerry Jeff Walker, both have been done justice and this is a very worthy addition but possibly more pleasing as Anderson is still around. The whole album’s top drawer. You must search it out.