Chris Stapleton – Higher

Chris Stapleton can do no wrong.  Since the Kentucky born songwriter went solo and started to release Grammy nominated albums (alongside duets with Justin Timberlake, Ed Sheeran and Adele) he’s become sizzling hot property in the Nashville music machine.

You can therefore imagine my excitement when Country Music People was offered an exclusive pre-release streaming link for the new record. Words such as ‘confidential’ and ‘embargoed’ were writ large on the email with a link promised to only one person. Being the lucky recipient I radioed back to the mothership, advising that ‘the eagle has landed’. During my training I never imagined a mission so exciting.

The good news is that Stapleton doesn’t veer off his well trodden path and uses the same producer and key band members to back him. He composes or co-writes the songs himself, often with his wife, Morgane, who lends her voice here and there. His yearning and powerful rasping roar is a sound of enormous beauty, pathos and dismantling sincerity. He’s captured millions of followers with these pipes and their release isn’t anytime soon.

Despite the fawning of the country music industry this record is predominantly the poppier end of Southern rock with large doses of blue eyed soul, which explains the enormous commercial success as Stapleton, via cross over, reaches a much larger audience. Country wise then What Am I Gonna Do, Trust, The Day I Die, Crosswind and It Takes A Woman are true to the genre (often with cloying sentimentality.) However, Hall & Oates could perform Think I’m In Love With You and pure rock is evident on the thunderous outings South Dakota, White Horse and The Bottom.

Lyrically the 14 track selection are mainly love songs that take the perspective of a forlorn lover who’s eternally grateful for the affection of a woman he places on a pedestal and forgives his multiple failings. When he slips those tropes he can delight; with the Outlaw romp of Crosswind he’s an 18 wheel trucker “picking up speed on a mission to feed” and “trying to keep all the rubber on 65”. The bass lines, from J T Cure, are worth the price of entry alone.

With this voice he can soothe any heart, touch you with raw emotion and he’s been helping grown men to express their feelings since 2015.  Resistance is futile; this will rightly soar up the US country charts and sit there, unassailable, well into 2024.