The nave was brightly lit in the 19^th century East Yorkshire church where the duo delivered a beautiful set of 16 songs of American roots music dipping into country, folk and swing jazz. Ashley Campbell, the daughter of Glen Campbell, and Thor Jensen have been a duo since 2021. My awareness of Campbell came via a documentary (Glen Campbell:I’ll Be Me) about her father’s later life and his developing Alzheimer’s. It was an emotional roller coaster for those around him, not least of the joys, yet trials, of his touring with a failing memory. My other recollection of her  came when she released 2020’s Something Lovely, a tuneful country folk release that was quite contemporary. Her sound, now, is very much of a talented acoustic guitar and banjo player singing less contemporary but more folk roots music. Jensen, in many ways her foil on the night, is a virtuoso guitarist with an attractive tenor who’s been immersed in the New York jazz scene yet plays several genres. Instrumentally they complement each other and their easy humour was a pleasure to hear as they talked about Yorkshire, the USA and Northern Ireland.

The latter place is where they recorded their debut album Turtle Cottage. It’s from here that most of the songs played on the night come from. Jensen’s slightly jaw dropping talent comes in his guitar playing. When not playing chords he picks with outstanding dexterity and subtlety; you can imagine him in full flight playing Django Reinhardt gypsy jazz. Turtle Cottage is just the pair of them playing and so the replication is complete here. Campbell’s voice is light, warm and intimate and the night starts with A Song By Vampires For Vampires that’s surprisingly a love song (!)

Two instrumentals are included that add to their credentials as great players (Edge Of The World and Exit Zero) but the whole set is usually the intertwining voices usually replete with harmonies. Perfectly Alright is a highlight of this. Goodbye Cowboy is the nearest we get to 60s country with some captivating Latin guitar picking that documents a sad parting. The audience of over 100, who’ve enjoyed the church having quite regular eclectic concerts including Bernard Butler, make an audible sigh of pleasure as Campbell starts to pick the opening notes of Gentle On My Mind. Whether said or not it seems a tribute to her father. Tank and Babe is an energetic romp about a relationship that failed despite the best of intentions. It has a Joni Mitchell Raised on Robbery vibe of breathless levity and neat couplets telling of the couples’ shortcomings.

Asking the audience, for the encore, whether they wanted a Tom Waits or Willie Nelson cover was only going to get one answer wasn’t it? Blue Eyes Crying In The Rain closes the evening and we shuffle out into the dark and dank evening warmed and having been entertained in the presence of this accomplished pair.